Through intricate black and white line and dot drawings, Griffith explores the quiet, rhythmic beauty woven into the natural world. Each mark is a meditation-an act of devotion to the delicate patterns, textures, and structures found in nature and its creatures. Working in monochrome allows her to distill form and essence, revealing what often goes unseen: the subtle symmetry of a leaf, the elegant curvature of a wing, the quiet geometry of growth and decay.

Her process is slow and deliberate, echoing the pulse of the earth-its seasons, its stillness, and its unseen movement. With every dot and line, she seeks not only to represent nature, but to be in dialogue with it. This work is a reflection of the deep reverence she holds for the world around her, a way of saying: Look closer. There is wonder here.

Through this detailed language of ink, she hopes to awaken a sense of connection, attention, and awe-for in the intricate patterns of life, there is infinite beauty waiting to be seen.